{"id":376,"date":"2025-01-13T22:07:00","date_gmt":"2025-01-13T21:07:00","guid":{"rendered":"https:\/\/tarde.info\/?p=376"},"modified":"2026-07-24T00:07:58","modified_gmt":"2026-07-23T23:07:58","slug":"umbrellas-and-other-umbracula","status":"publish","type":"post","link":"https:\/\/tarde.info\/es\/umbrellas-and-other-umbracula\/","title":{"rendered":"09 Umbrellas and other Umbracula"},"content":{"rendered":"\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-f56f613f wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em><a href=\"https:\/\/sfb1265.de\/en\/people\/margherita-tess\/\" target=\"_blank\" rel=\"noopener\">Margherita Tess<\/a>\u00a0and\u00a0<a href=\"https:\/\/tarde.info\/santiago\/\" target=\"_blank\" rel=\"noopener\">Santiago Orrego<\/a><\/em>\u00a0<em>prepared this issue.\u00a0<a href=\"https:\/\/scholar.google.com\/citations?user=AvuRXAUAAAAJ&amp;hl=en\" target=\"_blank\" rel=\"noopener\">Zeynep S. Akinci<\/a>\u00a0curated it<\/em>, and Santiago edited and designed it.<\/strong><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\">We close our trilogy on urban shadows by presenting a collaborative number on umbrellas, parasols, canopies, and other personal devices producing minimal shade. The issue has the Japanese city of Fukuoka as its primary site for exploration and Medell\u00edn, Colombia, as a location to essay a quick ethnographic exercise using some of the prototypes proposed in Tarde\u00b4s numbers\u00a0<a href=\"https:\/\/tarde.info\/the-city-of-shades\/\">6<\/a>\u00a0and\u00a0<a href=\"https:\/\/tarde.info\/prototypes-for-a-department-of-umbrology\/\">8<\/a>.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Content<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/tarde.info\/umbrellas-and-other-umbracula\/#F\">Fukuoka<\/a>\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/tarde.info\/umbrellas-and-other-umbracula\/#U1\">Umbrellas as part of the urbanscape<\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/tarde.info\/umbrellas-and-other-umbracula\/#U2\">Umbrellas and minimal urban spaces<\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/tarde.info\/umbrellas-and-other-umbracula\/#U3\">Designing intentional small shades<\/a><\/li>\n<\/ul>\n<\/li>\n\n\n\n<li><a href=\"https:\/\/tarde.info\/umbrellas-and-other-umbracula\/#M1\">Medell\u00edn<\/a>\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/tarde.info\/umbrellas-and-other-umbracula\/#M2\">Umbrellalogy<\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/tarde.info\/umbrellas-and-other-umbracula\/#M3\">Why Medell\u00edn<\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/tarde.info\/umbrellas-and-other-umbracula\/#M4\">A topology of tiny shadows, umbrellas, and canopies\u00a0<\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/tarde.info\/umbrellas-and-other-umbracula\/#M5\">The poetics of using umbrellas and canopies\u00a0<\/a><\/li>\n<\/ul>\n<\/li>\n\n\n\n<li><a href=\"https:\/\/tarde.info\/umbrellas-and-other-umbracula\/#R\">Footnotes and references<\/a><\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">Fukuoka<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">How are unshaded spaces lived and traversed in cities at the forefront of urban heating? Southern Japan has a famously torrid climate and infamous statistics regarding dwelling in the summer period. This piece, based on ongoing ethnographical research, explores cultures of shading while moving or standing in sun-drenched grey spaces of Japanese urbanity, especially using umbrellas.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Umbrellas as part of the urbanscape<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">In the hot summer of 2023, I did fieldwork in Fukuoka in southern Japan. In early June, when high temperatures were hitting for the first time in the year, and later in August, when the temperature would not get down to 35 or 37 \u00b0C for several days, a daily concern for citizens was the risk of heat stroke, or in Japanese\u00a0<em>necchusho<\/em>, the illness of inner heat. Heat sickness, sunstroke, or heatstroke, simply put, arises when the body is not able to regulate its temperature anymore and overheats, causing medical complications if untreated.\u00a0<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">During an interview, an epistemic partner in his seventies told me about his experience traversing too hot urban spaces: \u201cI got a heat stroke on Shoninbashi Street in Chuo-ku, Fukuoka City. It was the first time. If I had 30 minutes, I would have gone into a coffee shop to take a break, but I had 10 minutes until the designated time. It was 2:00 p.m. on August 4, and the asphalt road was much more sun-drenched than I had imagined. There were no benches or shade trees to sit and rest. I felt like I was the main character in Albert Camus\u2019 \u201cL\u2019\u00e9tranger.\u201d I searched for a place where I could rest my body.\u201dIn the context of an unlivable outdoors, made of Camusian-like scorching sun, shading things articulate urban relationships between bodies and the sun, creating portions of space with better climatic conditions. Shading things\u00a0in increased hot summers mediates our sensorial experience of the city spaces and contributes to keeping bodies in safe conditions. As much as other cities in Japan, Fukuoka inherited what Tom\u00e1s Criado called Solar Urbanism [<a href=\"https:\/\/tarde.info\/umbrellas-and-other-umbracula\/#1\">1<\/a>]. Streets often constitute urban spaces, and paths are intended more for air-conditioned cars than walking bodies. In this number, I want to focus on one specific minimal shade: the one of parasols. As Japanese cities overheat, several of my informants rely on umbrellas to maintain their body temperature at a lower state. A shading umbrella, I was told, is a must to avoid heat stroke.\u00a0<\/p>\n\n\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-block-group-is-layout-constrained\">\n<figure class=\"wp-block-image alignwide size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"770\" src=\"http:\/\/tarde.info\/wp-content\/uploads\/2025\/01\/Picture-1-2-1024x770.jpg\" alt=\"\" class=\"wp-image-727\" srcset=\"https:\/\/tarde.info\/wp-content\/uploads\/2025\/01\/Picture-1-2-1024x770.jpg 1024w, https:\/\/tarde.info\/wp-content\/uploads\/2025\/01\/Picture-1-2-300x226.jpg 300w, https:\/\/tarde.info\/wp-content\/uploads\/2025\/01\/Picture-1-2-768x577.jpg 768w, https:\/\/tarde.info\/wp-content\/uploads\/2025\/01\/Picture-1-2.jpg 1390w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Figure 1: Two young students protect themselves from the sun with parasols. Fukuoka 2023. Photo by Margherita Tess.<\/figcaption><\/figure>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Umbrella, from the Latin\u00a0<em>umbraculum,<\/em>\u00a0literally means small shade. Although umbrellas are most commonly associated with rain nowadays, they carry the original purpose of shading in the name. Today\u2019s\u00a0<em>higasa\u00a0<\/em>(\u65e5\u5098), Japanese parasols, differ from rain umbrellas regarding materials. Although sometimes used interchangeably with rain ones, currently manufactured parasols are specialized in blocking heat and ultraviolet (UV) rays. UV umbrellas include a special coating on the fabric surface made of titanium dioxide, zinc dioxide, or other similar compounds, sometimes black to absorb ultraviolet rays, and sometimes silver designed to reflect UV radiation instead of absorbing it. A quick Google search in Japanese would show thousands of products with different levels of UV absorption and various promises of feeling cooler, protected, and safe.\u00a0\u00a0Hundreds of ads show very fair-skinned people looking relieved under pastel color umbrellas.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Umbrellas, as shading devices, have a long history. They seem to have existed in Japan since the Kofun period, and during the Heian period, were made of varnished paper and used interchangeably against the sun and rain. However, they were the prerogative of the high classes, while lower-class members would wear conical hats. During Kamakura and later the Edo period, they became popular also among Samurai and monks. As portrayed in many wood-print images, umbrellas were part and parcels of the Edo cityscape [<a href=\"https:\/\/tarde.info\/umbrellas-and-other-umbracula\/#2\">2<\/a>].<\/p>\n\n\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-block-group-is-layout-constrained\">\n<figure class=\"wp-block-image alignwide size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"804\" src=\"https:\/\/tarde.info\/wp-content\/uploads\/2025\/01\/second-2-1024x804.jpg\" alt=\"\" class=\"wp-image-733\" srcset=\"https:\/\/tarde.info\/wp-content\/uploads\/2025\/01\/second-2-1024x804.jpg 1024w, https:\/\/tarde.info\/wp-content\/uploads\/2025\/01\/second-2-300x235.jpg 300w, https:\/\/tarde.info\/wp-content\/uploads\/2025\/01\/second-2-768x603.jpg 768w, https:\/\/tarde.info\/wp-content\/uploads\/2025\/01\/second-2-1536x1206.jpg 1536w, https:\/\/tarde.info\/wp-content\/uploads\/2025\/01\/second-2.jpg 1878w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Figure\u00a02:\u00a0In the Edo period, nobles, monks, and samurais shaded themselves while lower classes, at best, wore hats or fanned themselves against the humid heat. Source: Illustrated Guide to Famous Places of Edo, Vol. 1-7. 1834-36\u00a0[<a href=\"https:\/\/tarde.info\/umbrellas-and-other-umbracula\/#3\">3<\/a>].<\/figcaption><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-f56f613f wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"371\" height=\"540\" src=\"https:\/\/tarde.info\/wp-content\/uploads\/2025\/01\/5-2.jpeg\" alt=\"\" class=\"wp-image-735\" srcset=\"https:\/\/tarde.info\/wp-content\/uploads\/2025\/01\/5-2.jpeg 371w, https:\/\/tarde.info\/wp-content\/uploads\/2025\/01\/5-2-206x300.jpeg 206w\" sizes=\"auto, (max-width: 371px) 100vw, 371px\" \/><figcaption class=\"wp-element-caption\">Figure 3: Detailed sections of a \u201cWestern Umbrella\u201d and a \u201cJapanese umbrella\u201d. Source: INAX Booklet Kasa, page 3.<\/figcaption><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"wp-block-paragraph\">The so-called Western umbrellas (<em>yougasa<\/em>), as opposed to the paper umbrellas (<em>wagasa<\/em>), were seen for the first time when Commodore Perry arrived in Japan. The\u00a0<em>yougasa<\/em>\u00a0became known in Japan as bat umbrellas (<em>koumorikasa<\/em>), probably because of their black color and the cloth-made flappy wedges. The bat umbrella rapidly supplanted the Japanese varnished paper one, becoming a symbol of urban Western modernity and refined style.\u00a0<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Today,\u00a0<em>bat umbrellas<\/em>\u00a0might no longer symbolize Western modernity as they did during the Meiji Restoration. However, they remain an essential part of the summer urban landscape and continue to mediate meanings related to class, race, and urban culture. As scholar Mikiko Ashikari underscores,\u00a0cultivating\u00a0a white complexion through skin shading is associated with the urban middle class and mediates colonial ideas of Japaneseness [4]. However, as hazardous levels of heat and UV radiation preoccupy citizens, parasols now also mediate ideas of safety against a dangerous, unshaded environment that threatens not only the skin but also the body&#8217;s healthy thermal regulation. In this piece, I would like to focus on these more recent and under-theorized developments of cultures of shading, meaning the sheltering effect from urban overheating driven by climate change. Borrowing the terms from the previous Tarde issue, I am more interested in umbrella shades as \u201cexistential territories of life\u201d, which shelter bodies against a hazardous thermal environment. Heat stroke risk and the fear of suffering from it in public are driving people to use parasols increasingly. Pedestrian crossings, rarely shaded, are traversed by thousands of portable shades, portions of cool microclimates under which human bodies move across solar-centric landscapes. How can this monadic umbracula be conceptualized concerning an overheated urbanity?\u00a0<\/p>\n<\/div>\n<\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"685\" src=\"https:\/\/tarde.info\/wp-content\/uploads\/2025\/01\/6-2-1024x685.jpg\" alt=\"\" class=\"wp-image-739\" srcset=\"https:\/\/tarde.info\/wp-content\/uploads\/2025\/01\/6-2-1024x685.jpg 1024w, https:\/\/tarde.info\/wp-content\/uploads\/2025\/01\/6-2-300x201.jpg 300w, https:\/\/tarde.info\/wp-content\/uploads\/2025\/01\/6-2-768x514.jpg 768w, https:\/\/tarde.info\/wp-content\/uploads\/2025\/01\/6-2.jpg 1475w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Figure 4: Shibuya crossing in summer. Source: Getty Images<\/figcaption><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\">Umbrellas and minimal urban spaces<\/h3>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-f56f613f wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"770\" height=\"1024\" src=\"https:\/\/tarde.info\/wp-content\/uploads\/2025\/01\/7-2-770x1024.jpg\" alt=\"\" class=\"wp-image-741\" srcset=\"https:\/\/tarde.info\/wp-content\/uploads\/2025\/01\/7-2-770x1024.jpg 770w, https:\/\/tarde.info\/wp-content\/uploads\/2025\/01\/7-2-226x300.jpg 226w, https:\/\/tarde.info\/wp-content\/uploads\/2025\/01\/7-2-768x1021.jpg 768w, https:\/\/tarde.info\/wp-content\/uploads\/2025\/01\/7-2.jpg 1066w\" sizes=\"auto, (max-width: 770px) 100vw, 770px\" \/><figcaption class=\"wp-element-caption\">Figure 5: A customer shades herself and her kid while waiting outside a restaurant under the scorching sun. Fukuoka 2023. Photo by Margherita Tess.<\/figcaption><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\">In Fukuoka, as well as other cities in Japan, street trees are a rare luxury. Space in dense cities is precious and expensive, and footpaths are often thin and unshaded. As landscape architects have told me many times, street trees pose a real issue, as they can obstruct drivers&#8217; view, and their fallen leaves and fruit annoy pedestrians and car owners. Often, for several reasons, including a low budget for urban greenery maintenance and the perception of trees as a nuisance, street trees are heavily pruned and look more like light poles, depriving them of their shading function [5]. In this context, minor shading things and devices, such as parasols, create minimal shaded spaces where trees or buildings are unavailable sources of shade. Modern infrastructure and construction that mark the landscape traversed by human and other animal bodies inherit and are still marked by development-centric approaches, where the habitability of the outdoors has receded into the background. Infrastructures and buildings, though, do shade or light as a by-product, allowing for unintentionally shaded spaces, such as under an elevated highway [6].\u00a0However, as the thermal environment of Japanese cities becomes increasingly overheated, are these shaded byproducts enough? How do citizens negotiate their comfort and safety for the solar design of their urban environment?\u00a0<\/p>\n<\/div>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Shades in the context of climate change can be fruitfully explored as \u00a8lived regions,\u00a8ephemeral but delimited spaces [<a href=\"https:\/\/tarde.info\/umbrellas-and-other-umbracula\/#7\">7<\/a>]. Although shade appears bidimensional when cast on a flat surface, umbrella shade must be understood as a volumetric region, as it creates a tridimensional region of cooler microclimate. A common UV-cut parasol allows for a small portable portion of altered climate: a specific fabric mesh protects the body from ultraviolet rays (responsible for skin damage), and a reflecting or absorbing fabric decreases the temperature, blocking sun radiations\u2019 warming energy. The umbrella poses as a mediator between the sun and the body and is part of a material culture of climatic adaptation. However, the umbrella could also be seen as a<em>\u00a0spacing\u00a0<\/em>device that creates minimal units of inhabitable urban space. If we focus on the space under the umbrella, we can see that it has been critical. Rulers, or gods and spirits in Japanese religiosities, can appear under umbrellas [<a href=\"https:\/\/tarde.info\/umbrellas-and-other-umbracula\/#8\">8<\/a>].\u00a0Not only do gods and rulers exist under the umbrella\u2019s protection, but during rituals or\u00a0<em>matsuri\u00a0<\/em>(shrine festivals), this protected space becomes traversable by lay people. At the Yasurai Festival at Imamiya shrine, worshippers enter under the umbrella to eliminate diseases. Always linked to some form of protection, in some contexts, the space under the umbrella becomes a territory different from the surroundings because of its sacrality; in the current climatic crisis, this shaded portion of space creates a region of microclimatic specificity, differentiating it from a hazardous environment. In other words, the space created by the umbrella, although temporary, elusive, and without clear borders, has been an important and under-theorized urban space.\u00a0<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Designing intentionally small shades<\/p>\n\n\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-block-group-is-layout-constrained\">\n<figure class=\"wp-block-image alignwide size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"636\" height=\"480\" src=\"https:\/\/tarde.info\/wp-content\/uploads\/2025\/01\/8-2.jpg\" alt=\"\" class=\"wp-image-746\" srcset=\"https:\/\/tarde.info\/wp-content\/uploads\/2025\/01\/8-2.jpg 636w, https:\/\/tarde.info\/wp-content\/uploads\/2025\/01\/8-2-300x226.jpg 300w\" sizes=\"auto, (max-width: 636px) 100vw, 636px\" \/><figcaption class=\"wp-element-caption\">Figure 6: Umbrellas on Nakasu Bridge. In the background are the dense, unshaded alleys of Nakasu. Photo by Margherita Tess.<\/figcaption><\/figure>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\">In 2021, the Japanese Ministry of Environment published the Climate Change Adaptation Plan. In the section concerning urban spaces, the following scenarios are portrayed: the risk of heatstroke in Tokyo is predicted to increase 2.4 times in the 2050s and, in the 2090s, the time during the day when people can work outdoors in Tokyo and Osaka will be 30 to 40% shorter than at present, and the number of days when it is unsafe to work outdoors will increase. Possible solutions to be implemented include encouraging citizens to stay indoors and pointing to unsafe outdoor environments distinct from sealed and safe indoors. Not surprisingly, shading and its improvement are not considered. Creating and improving public shade is, as this and the previous Tarde numbers have argued, a highly urgent matter. As shown above, umbrellas are crucial shading devices used to traverse overheated urban spaces and cast shaded spaces of cooler microclimates. But, these cast shadows are highly individual spaces in the Japanese case.\u00a0In this section, I would like to speculate about how intentional public shaded spaces could be designed in overheated urban spaces, taking inspiration from the umbrella\u2019s spatiality. I propose to think with smallness, as suggested by the Japanese architect collective Atelier Bow Wow. The duo often works on and theorizes what they call pet-size spaces. They say that Tokyo\u2019s urban environment is very \u201cinfectious.\u201d It spreads fast like a fire and changes constantly\u00a0[<a href=\"https:\/\/tarde.info\/umbrellas-and-other-umbracula\/#9\">9<\/a>].<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Because of inflationary land prices, they see a \u201cvoid phobia\u201d in Tokyo, the desire to find and fill any gaps that can be seen. Because of this, items around the size of vending machines are abundant in Tokyo. These items are a bit too small to be recognized as architecture, a bit bigger than furniture, the size that \u201ccan exist in the corner of a room, or the corner of the city [<a href=\"https:\/\/tarde.info\/umbrellas-and-other-umbracula\/#10\">10<\/a>]\u201d. Playing with this format, Bow Wow architects created\u00a0\u201cSing and Swing,\u201d\u00a0a shading device in the shape of a giant balloon that creates a micro-shaded public space exploiting the interstices of the Taiwanese urbanscape [<a href=\"https:\/\/tarde.info\/umbrellas-and-other-umbracula\/#11\">11<\/a>]. Or, they designed a varnished paper origami refuge. Originally used to create privacy and a sense of safety during disasters in evacuation shelters, it could also work as a shading device [<a href=\"https:\/\/tarde.info\/umbrellas-and-other-umbracula\/#12\">12<\/a>].<\/p>\n\n\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-columns alignwide are-vertically-aligned-bottom is-layout-flex wp-container-core-columns-is-layout-f56f613f wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-bottom is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"413\" height=\"315\" src=\"https:\/\/tarde.info\/wp-content\/uploads\/2025\/01\/10-2.jpg\" alt=\"\" class=\"wp-image-749\" srcset=\"https:\/\/tarde.info\/wp-content\/uploads\/2025\/01\/10-2.jpg 413w, https:\/\/tarde.info\/wp-content\/uploads\/2025\/01\/10-2-300x229.jpg 300w\" sizes=\"auto, (max-width: 413px) 100vw, 413px\" \/><figcaption class=\"wp-element-caption\">Figure 7: Sing &amp; Swing by Atelier Bow-Wow. Atelier Bow-Wow All Rights Reserved.<\/figcaption><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-bottom is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"413\" height=\"416\" src=\"http:\/\/tarde.info\/wp-content\/uploads\/2025\/01\/12-2.jpg\" alt=\"\" class=\"wp-image-751\" srcset=\"https:\/\/tarde.info\/wp-content\/uploads\/2025\/01\/12-2.jpg 413w, https:\/\/tarde.info\/wp-content\/uploads\/2025\/01\/12-2-298x300.jpg 298w, https:\/\/tarde.info\/wp-content\/uploads\/2025\/01\/12-2-150x150.jpg 150w\" sizes=\"auto, (max-width: 413px) 100vw, 413px\" \/><figcaption class=\"wp-element-caption\">Figure 8: Jumbo Origamic Arch Orange by Atelier Bow-Wow. Atelier Bow-Wow All Rights Reserved.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\">They argue that their design takes advantage of the tiny pet-sized effect and has infiltrated the city deeply.\u00a0For them,\u00a0smallness is a size that allows freedom in urban action. They conclude, \u201cIf we consider the abounding pet-sized objects of Tokyo as an interface between the city and the human body, then our urban environment can become more and more comfortable\u201d\u00a0[<a href=\"https:\/\/tarde.info\/umbrellas-and-other-umbracula\/#13\">13<\/a>].\u00a0<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Medell\u00edn<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">Umbrellalogy<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">What I like most about urban shadows\u2014those mundane and opaque figures produced when a random object blocks sunlight\u2014is their playful attitude toward time. As they roam our terrestrial surface, they move gracefully alongside us as we all orbit the sun on our own axes. According to Plato, time is the moving image of eternity [<a href=\"https:\/\/tarde.info\/umbrellas-and-other-umbracula\/#14\">14<\/a>]. Conversely, shadows \u2014urban shadows\u2014 represent moving images of the time-altering and transforming life of the city.\u00a0<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">A few months ago, I went on a two-week shadow safari around Medell\u00edn, Colombia. As a member of the\u00a0<a href=\"https:\/\/umbrology.org\/\" target=\"_blank\" rel=\"noopener\">Department of Umbrology<\/a>\u00a0(DoU), I aimed to study shadows\u2019 physical and relational dimensions. However, rather than observing all types of shades, my observations focused on tiny opacities: narrow, volatile, and individual shadows, the portable tools producing them, and the temporal climatic regions generated by them.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">For this joint number, the last in the Shadows trilogy, I have prepared a quick and speculative observation exercise inspired by the DoU collective work displayed in Tarde\u2019s numbers\u00a0<a href=\"https:\/\/tarde.info\/the-city-of-shades\/\">6<\/a>\u00a0and\u00a0<a href=\"https:\/\/tarde.info\/prototypes-for-a-department-of-umbrology\/\">8<\/a>. This exercise proposes a topology of tiny opacities and a visual \u201cethological inventory\u201d to consider shadows as more-than-human climate entanglements and regions of opacity where multiple actors and elements converge.\u00a0<\/p>\n\n\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-block-group-is-layout-constrained\">\n<figure class=\"wp-block-image alignwide size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"646\" src=\"https:\/\/tarde.info\/wp-content\/uploads\/2025\/01\/umbrella_decomposed_-2048x1292-1-1024x646.jpg\" alt=\"\" class=\"wp-image-754\" srcset=\"https:\/\/tarde.info\/wp-content\/uploads\/2025\/01\/umbrella_decomposed_-2048x1292-1-1024x646.jpg 1024w, https:\/\/tarde.info\/wp-content\/uploads\/2025\/01\/umbrella_decomposed_-2048x1292-1-300x189.jpg 300w, https:\/\/tarde.info\/wp-content\/uploads\/2025\/01\/umbrella_decomposed_-2048x1292-1-768x485.jpg 768w, https:\/\/tarde.info\/wp-content\/uploads\/2025\/01\/umbrella_decomposed_-2048x1292-1-1536x969.jpg 1536w, https:\/\/tarde.info\/wp-content\/uploads\/2025\/01\/umbrella_decomposed_-2048x1292-1.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">A. Ferrule \/ B. Rib \/ C. Runner \/ D. Top Spring \/ E. Shaft \/ F. Handle \/ G Bottom spring \/ H. Tip \/ I. Frame \/ J. Cap \/ L. Notch \/ M. Arc \/ N. Gore \/ O. Opening-closing button \/ P. Tip cup \/ Q. Closed length \/ R. Diameter \/ S. Canopy.<\/figcaption><\/figure>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\">While in\u00a0<a href=\"https:\/\/tarde.info\/prototypes-for-a-department-of-umbrology\/\">previous\u00a0explorations<\/a>, the gaze was on traditional urban locations such as playgrounds, sidewalks, or streets, this issue considers smaller areas that may fit into the \u201cprivate realm\u201d but that occur and are displayed in the public space of cities worldwide. These areas are temporal shadow-spaces produced under umbrellas and parasols. These urban mobile scenarios appear as a response to the sun, its heat, and the atmospheric and physical sensations it creates. In a rough sense, this exercise could be seen\u00a0as a spontaneous practice of watching people using umbrellas to escape the scorching sun. And although it may be true, there is also a sort of poetic complexity and reflection behind it.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Why Medell\u00edn<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Like all other places on the Equator, Medell\u00edn has 12 hours of daylight all year long. That celestial consistency produces a sort of rhythmic stability during the day, but it also makes the sun feel different than at other latitudes. As the picture below shows, the critical relationship with the sun in Equatorial regions happens due to Earth\u2019s spherical shape and the way it is tilted. That inclination causes two related phenomena:<\/p>\n\n\n\n<ol class=\"wp-block-list\">\n<li>Sunlight hits harder. Because Equatorial cities are closer to the sun than other planetary zones, they suffer from higher temperatures. This situation, mixed with poor environmental planning in urban areas, potentiates urban heat island effects such as heat discomfort, poor air quality, and water degradation.\u00a0<\/li>\n\n\n\n<li>UV radiation is more intense. Overexposure to this type of light may cause potential skin damage, such as sunburns and even skin cancer. High radiation exposure can also affect plants and animals in cities.\u00a0<\/li>\n<\/ol>\n\n\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-block-group-is-layout-constrained\">\n<figure class=\"wp-block-image alignwide size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"647\" src=\"https:\/\/tarde.info\/wp-content\/uploads\/2025\/01\/sunlight_blue-2048x1293-1-1024x647.jpg\" alt=\"\" class=\"wp-image-757\" srcset=\"https:\/\/tarde.info\/wp-content\/uploads\/2025\/01\/sunlight_blue-2048x1293-1-1024x647.jpg 1024w, https:\/\/tarde.info\/wp-content\/uploads\/2025\/01\/sunlight_blue-2048x1293-1-300x189.jpg 300w, https:\/\/tarde.info\/wp-content\/uploads\/2025\/01\/sunlight_blue-2048x1293-1-768x485.jpg 768w, https:\/\/tarde.info\/wp-content\/uploads\/2025\/01\/sunlight_blue-2048x1293-1-1536x970.jpg 1536w, https:\/\/tarde.info\/wp-content\/uploads\/2025\/01\/sunlight_blue-2048x1293-1.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">A representation of how the sun strikes Earth.<\/figcaption><\/figure>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Additionally, rapid urbanization, which has prioritized cement and concrete over green spaces, and the oversaturation of private vehicles have increased the sensation of heat and suffocation across the city. In areas like Medell\u00edn\u2019s downtown or near ample avenues, smog, a lack of public shade, and the already-introduced strong sunlight turn the streets into savage spaces of climate wildness.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Despite the implementation of green corridors, big natural infrastructures composed of native trees and plants around main avenues, or other strategic areas around the city, the intensity of sunlight and UV radiation continues to increase as the actions triggering climate change also increase. As a primary, cheap, old-fashioned contingency method, people rely on umbrellas as a first-hand strategy to shelter from the sun.\u00a0<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">This rapid exploration hopes to shed some light on those shadow devices and the shadow-spaces they create, bringing them into the discussion and, hopefully, provoking a more robust type of ethnographic exercise that pays attention to shades\u2019 relational nature and crucial role in urban habitability.\u00a0<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">A topology of tiny shadows, umbrellas, and canopies\u00a0<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">In Medell\u00edn, both collective and individual responses to heat and intense sunlight are neither innovative nor different from those in other parts of the world. This exploration aims not to discuss unique methods for facing solar discomfort but to showcase and reflect on a minimal, often personal shade that appears when no other urban shade options are available on the streets. Among many ways, one could categorize those shades by their temporality.\u00a0<\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-f56f613f wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"646\" src=\"https:\/\/tarde.info\/wp-content\/uploads\/2025\/01\/01-5-2048x1292-1-1024x646.jpg\" alt=\"\" class=\"wp-image-759\" srcset=\"https:\/\/tarde.info\/wp-content\/uploads\/2025\/01\/01-5-2048x1292-1-1024x646.jpg 1024w, https:\/\/tarde.info\/wp-content\/uploads\/2025\/01\/01-5-2048x1292-1-300x189.jpg 300w, https:\/\/tarde.info\/wp-content\/uploads\/2025\/01\/01-5-2048x1292-1-768x485.jpg 768w, https:\/\/tarde.info\/wp-content\/uploads\/2025\/01\/01-5-2048x1292-1-1536x969.jpg 1536w, https:\/\/tarde.info\/wp-content\/uploads\/2025\/01\/01-5-2048x1292-1.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\">First, there are transitory and ephemeral shadows. Created by portable devices like umbrellas\u2014but also hats, sheets of paper, jackets, books, or any other object one might use to create a temporary shadow\u2014this type of shade has a short lifespan. They are generally mobile, although they can also be stationary. An example of this is a person walking under an umbrella, producing a darker, intimate space in motion. This combination of person, umbrella, shadow, and sun creates a momentary pattern on the ground that is instantly displaced as the person walks and the Earth rotates on its axis.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-f56f613f wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\">Second, there are stationary and recurrent shadows. They are usually produced by canopies and, to a lesser extent, by awnings. Stationary shadows can also be mobile. They are linked to formal and informal commercial activities. A stationary shadow appears when a person sells goods in a public and open space. It can be anything: street food, clothes, phone cases, lottery tickets, fruits\u2026 people tie parasols to the structure they use to prepare, store, or move their products. In that way, parasols protect not only the seller from the sunlight but also their merchandise and, possibly, their clients. It will always depend on the parasol\u2019s size.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"http:\/\/tarde.info\/wp-content\/uploads\/2026\/07\/IMG_6991-1024x768.jpeg\" alt=\"\" class=\"wp-image-868\" srcset=\"https:\/\/tarde.info\/wp-content\/uploads\/2026\/07\/IMG_6991-1024x768.jpeg 1024w, https:\/\/tarde.info\/wp-content\/uploads\/2026\/07\/IMG_6991-300x225.jpeg 300w, https:\/\/tarde.info\/wp-content\/uploads\/2026\/07\/IMG_6991-768x576.jpeg 768w, https:\/\/tarde.info\/wp-content\/uploads\/2026\/07\/IMG_6991-1536x1152.jpeg 1536w, https:\/\/tarde.info\/wp-content\/uploads\/2026\/07\/IMG_6991-2048x1536.jpeg 2048w, https:\/\/tarde.info\/wp-content\/uploads\/2026\/07\/IMG_6991-16x12.jpeg 16w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\">The poetics of using umbrellas and canopies<\/h3>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-group has-background has-global-padding is-layout-constrained wp-container-core-group-is-layout-88236e1e wp-block-group-is-layout-constrained\" style=\"background-color:#ebebeb;margin-top:0;margin-bottom:0;padding-top:var(--wp--preset--spacing--30);padding-right:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--30);padding-left:var(--wp--preset--spacing--30)\">\n<figure class=\"wp-block-image alignwide size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"646\" src=\"http:\/\/tarde.info\/wp-content\/uploads\/2026\/07\/03-1024x646.jpg\" alt=\"\" class=\"wp-image-850\" srcset=\"https:\/\/tarde.info\/wp-content\/uploads\/2026\/07\/03-1024x646.jpg 1024w, https:\/\/tarde.info\/wp-content\/uploads\/2026\/07\/03-300x189.jpg 300w, https:\/\/tarde.info\/wp-content\/uploads\/2026\/07\/03-768x485.jpg 768w, https:\/\/tarde.info\/wp-content\/uploads\/2026\/07\/03-1536x969.jpg 1536w, https:\/\/tarde.info\/wp-content\/uploads\/2026\/07\/03-2048x1292.jpg 2048w, https:\/\/tarde.info\/wp-content\/uploads\/2026\/07\/03-18x12.jpg 18w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p class=\"alignwide wp-block-paragraph\">Two people, both wearing red, were waiting for a bus. Although they were simultaneously in the same place, just a few centimeters apart, each was in a different space. The first person, the one near the street, was co-producing and inhabiting a mobile, temporal, and opaque spatiality, a sociotechnical arrangement resulting from the mediation caused by an umbrella between the sun and the person\u2019s body.\u00a0<\/p>\n\n\n\n<p class=\"alignwide wp-block-paragraph\">As a portable shadow producer, the umbrella spread over their corporality, becoming a flimsy and personal refuge against the piercing and merciless Equatorial sun. Although this device does not have the power to modify\u00a0the weather, blocking direct sunlight can alter the embodied sensation and perception of the environment and even produce a microclimate under its spread-out body. This situation makes the experience of being outside at noon waiting for a bus more comfortable.<\/p>\n<\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-group has-contrast-color has-text-color has-background has-link-color wp-elements-e6f44c52ff43fba74eb14dcd7ebe48c5 has-global-padding is-layout-constrained wp-container-core-group-is-layout-9bf84538 wp-block-group-is-layout-constrained\" style=\"background-color:#ebebeb;padding-top:var(--wp--preset--spacing--30);padding-right:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--30);padding-left:var(--wp--preset--spacing--30)\">\n<figure class=\"wp-block-image alignwide size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"646\" src=\"http:\/\/tarde.info\/wp-content\/uploads\/2026\/07\/04-1024x646.jpg\" alt=\"\" class=\"wp-image-852\" srcset=\"https:\/\/tarde.info\/wp-content\/uploads\/2026\/07\/04-1024x646.jpg 1024w, https:\/\/tarde.info\/wp-content\/uploads\/2026\/07\/04-300x189.jpg 300w, https:\/\/tarde.info\/wp-content\/uploads\/2026\/07\/04-768x485.jpg 768w, https:\/\/tarde.info\/wp-content\/uploads\/2026\/07\/04-1536x969.jpg 1536w, https:\/\/tarde.info\/wp-content\/uploads\/2026\/07\/04-2048x1292.jpg 2048w, https:\/\/tarde.info\/wp-content\/uploads\/2026\/07\/04-18x12.jpg 18w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p class=\"alignwide wp-block-paragraph\">If one has to point out where the shadow is located, the ground may be the obvious place to look. But is the shadow really there, or is that dark texture just a shade projection? To avoid entering into a Platonic discussion and expanding the figure of regions of opacity, I suggest seeing these types of urban shadows as liminal scenarios ruled by mobile logic.\u00a0<\/p>\n\n\n\n<p class=\"alignwide wp-block-paragraph\">There are three people and two blue umbrellas; the sun is high and potent above everyone. Their steps are slower and seemingly less coordinated than the other pedestrians. It gives the impression that time passes differently under the tiny, overlapped blue layers. It seems like it also strolls, without hurries, at the shadows\u2019 pace. But shade, in that arrangement, is everywhere and not in a particular place.<\/p>\n\n\n\n<p class=\"alignwide wp-block-paragraph\">However, their liminality is not, this time, between light and darkness but between physical and ethereal forms. They are not just projections of a body blocking light; they are spaces that can be inhabited and objects that can be sensed. Once they are opened and facing the sun, umbrellas and canopies unfold a dynamic and sensorial interplay between the body, the object, and the environment. Their shadows can be felt and experienced by walking and going inside and outside them, using our eyes, skin, and whole body.\u00a0<\/p>\n<\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-group has-background has-global-padding is-layout-constrained wp-container-core-group-is-layout-9bf84538 wp-block-group-is-layout-constrained\" style=\"background-color:#ebebeb;padding-top:var(--wp--preset--spacing--30);padding-right:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--30);padding-left:var(--wp--preset--spacing--30)\">\n<figure class=\"wp-block-image alignwide size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"http:\/\/tarde.info\/wp-content\/uploads\/2026\/07\/IMG_6873-1024x768.jpeg\" alt=\"\" class=\"wp-image-858\" srcset=\"https:\/\/tarde.info\/wp-content\/uploads\/2026\/07\/IMG_6873-1024x768.jpeg 1024w, https:\/\/tarde.info\/wp-content\/uploads\/2026\/07\/IMG_6873-300x225.jpeg 300w, https:\/\/tarde.info\/wp-content\/uploads\/2026\/07\/IMG_6873-768x576.jpeg 768w, https:\/\/tarde.info\/wp-content\/uploads\/2026\/07\/IMG_6873-1536x1152.jpeg 1536w, https:\/\/tarde.info\/wp-content\/uploads\/2026\/07\/IMG_6873-2048x1536.jpeg 2048w, https:\/\/tarde.info\/wp-content\/uploads\/2026\/07\/IMG_6873-16x12.jpeg 16w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p class=\"alignwide wp-block-paragraph\">There is a constellation of microclimates and tiny shade spaces around downtown Medell\u00edn. Because of the high rate of informal employment in the city, people are forced to go outside to make a living by providing all kinds of services and selling all kinds of goods. In those situations, parasols are everyone\u2019s best friends for spending the entire day outside in an unshaded environment.<\/p>\n<\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-group has-background has-global-padding is-layout-constrained wp-container-core-group-is-layout-9bf84538 wp-block-group-is-layout-constrained\" style=\"background-color:#ebebeb;padding-top:var(--wp--preset--spacing--30);padding-right:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--30);padding-left:var(--wp--preset--spacing--30)\">\n<div class=\"wp-block-columns alignwide is-layout-flex wp-container-core-columns-is-layout-f56f613f wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"646\" src=\"http:\/\/tarde.info\/wp-content\/uploads\/2026\/07\/06-1024x646.jpg\" alt=\"\" class=\"wp-image-863\" srcset=\"https:\/\/tarde.info\/wp-content\/uploads\/2026\/07\/06-1024x646.jpg 1024w, https:\/\/tarde.info\/wp-content\/uploads\/2026\/07\/06-300x189.jpg 300w, https:\/\/tarde.info\/wp-content\/uploads\/2026\/07\/06-768x485.jpg 768w, https:\/\/tarde.info\/wp-content\/uploads\/2026\/07\/06-1536x969.jpg 1536w, https:\/\/tarde.info\/wp-content\/uploads\/2026\/07\/06-2048x1292.jpg 2048w, https:\/\/tarde.info\/wp-content\/uploads\/2026\/07\/06-18x12.jpg 18w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"646\" src=\"http:\/\/tarde.info\/wp-content\/uploads\/2025\/01\/02-5-1024x646.jpg\" alt=\"\" class=\"wp-image-761\" srcset=\"https:\/\/tarde.info\/wp-content\/uploads\/2025\/01\/02-5-1024x646.jpg 1024w, https:\/\/tarde.info\/wp-content\/uploads\/2025\/01\/02-5-300x189.jpg 300w, https:\/\/tarde.info\/wp-content\/uploads\/2025\/01\/02-5-768x485.jpg 768w, https:\/\/tarde.info\/wp-content\/uploads\/2025\/01\/02-5-1536x969.jpg 1536w, https:\/\/tarde.info\/wp-content\/uploads\/2025\/01\/02-5-2048x1292.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"646\" src=\"http:\/\/tarde.info\/wp-content\/uploads\/2026\/07\/07-1024x646.jpg\" alt=\"\" class=\"wp-image-864\" srcset=\"https:\/\/tarde.info\/wp-content\/uploads\/2026\/07\/07-1024x646.jpg 1024w, https:\/\/tarde.info\/wp-content\/uploads\/2026\/07\/07-300x189.jpg 300w, https:\/\/tarde.info\/wp-content\/uploads\/2026\/07\/07-768x485.jpg 768w, https:\/\/tarde.info\/wp-content\/uploads\/2026\/07\/07-1536x969.jpg 1536w, https:\/\/tarde.info\/wp-content\/uploads\/2026\/07\/07-2048x1292.jpg 2048w, https:\/\/tarde.info\/wp-content\/uploads\/2026\/07\/07-18x12.jpg 18w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n<\/div>\n\n\n\n<p class=\"alignwide wp-block-paragraph\">Using a canopy (as well as an umbrella) is an act of care to oneself. Notwithstanding, in the case of canopies, caring is extended to other beings and elements: potential customers, a random person looking for temporary shelter while the traffic light changes, and, of course, the goods to be sold. As a stationary type of shadow, parasols also relate differently to the surroundings. They offer a stronger sensation of stability that motivates people to bring furniture to rest.<\/p>\n\n\n\n<p class=\"alignwide wp-block-paragraph\">The sensation of walking surrounded by parasols was a constant reminder that we have never been solar. As our<a href=\"https:\/\/web.archive.org\/web\/20260315054320\/https:\/\/umbrology.org\/manifesto\/\">&nbsp;DoU manifesto<\/a>&nbsp;notes, shades are the very condition of urban habitability, particularly in regions where sunlight is constant and stronger every time. However, what I find more impressive about the massive presence of canopies in public areas of Medell\u00edn is their quiet rebellion against the solar hegemony and the harshness of its light. Those extended canopies were inviting us to claim agency over nature and vindicate, as terrestrial beings, our right to opacity. Shall we accept their proposal and join them to be part of the resistance against solar domination?&nbsp;<\/p>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h3 class=\"wp-block-heading\">Footnotes and References<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">[<a href=\"https:\/\/web.archive.org\/web\/20260315054320\/https:\/\/tarde.info\/umbrellas-and-other-umbracula\/#A\">1<\/a>] With this expression, the author of a previous number, Tom\u00e1s Criado, refers to the signature modernist hygienist drive to design urban settings for clean air circulation and insulation as a heliocentric approach to city-making. For more context, see Tarde\u2019s issue #6: https:\/\/tarde.info\/the-city-of-shades\/&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">[<a href=\"https:\/\/web.archive.org\/web\/20260315054320\/https:\/\/tarde.info\/umbrellas-and-other-umbracula\/#B\">2<\/a>] For more information on the history of the umbrellas in Japan and theirfer to the iconography, re INAX booklet Kasa.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">[<a href=\"https:\/\/web.archive.org\/web\/20260315054320\/https:\/\/tarde.info\/umbrellas-and-other-umbracula\/#C\">3<\/a>] \u6c5f\u6238\u540d\u6240\u56f3\u4f1a.&nbsp;\u5dfb\u4e4b1-7 \/&nbsp;\u658e\u85e4\u9577\u79cb&nbsp;\u7de8\u8f2f&nbsp;;&nbsp;\u9577\u8c37\u5ddd\u96ea\u65e6&nbsp;\u753b\u56f3<a href=\"https:\/\/web.archive.org\/web\/20260315054320\/https:\/\/www.wul.waseda.ac.jp\/kotenseki\/html\/bunko10\/bunko10_06556\/index.html\">https:\/\/www.wul.waseda.ac.jp\/kotenseki\/html\/bunko10\/bunko10_06556\/index.html<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">[<a href=\"https:\/\/web.archive.org\/web\/20260315054320\/https:\/\/tarde.info\/umbrellas-and-other-umbracula\/#D\">4<\/a>] The cultures of shading in Japan are not neutral. Ashikari explores how the Japanese \u201cwhiteness\u201d is made and cultivated in opposition to the colonial racial ideas of Ryukyu and Ainu people, but also to colonial Koreans. For a detailed discussion, see&nbsp;Ashikari 2005, Cultivating Japanese Whiteness. More famously, cultures of shading in the Japanese context are associated with the piece by Jun\u2019ichir\u014d Tanizaki, In Praise of Shadows. Although Tanizaki\u2019s understanding of shade is slightly different from the ones I am using in this piece, meaning that he is more concerned with design and architectural aesthetics and not much with the actual practice of casting shadows, the piece still has significant ideological overtones. Shaded, demureness, and opacity are elevated as Japanese in contrast to overly bright and flashy Western modernity.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">[<a href=\"https:\/\/web.archive.org\/web\/20260315054320\/https:\/\/tarde.info\/umbrellas-and-other-umbracula\/#E\">5<\/a>] To deepen street tree pruning culture in Japan, see&nbsp;Fujii et al. 2021.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">[<a href=\"https:\/\/web.archive.org\/web\/20260315054320\/https:\/\/tarde.info\/umbrellas-and-other-umbracula\/#E\">6<\/a>] One issue exploring the architecture of infrastructures and their by-product space in cities is Roadsides Collection no.004 \u2013 Fall 2020. Architecture and\/as Infrastructure. Ed. Madlen Kobi and Nadine Plachta. In this issue, see Light and Space-Making in the Accra Airport City, Ghana, by Naomi Samake (Kobi and Plachta 2020).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">[<a href=\"https:\/\/web.archive.org\/web\/20260315054320\/https:\/\/tarde.info\/umbrellas-and-other-umbracula\/#F\">7<\/a>] See also the previous Tarde number.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">[<a href=\"https:\/\/web.archive.org\/web\/20260315054320\/https:\/\/tarde.info\/umbrellas-and-other-umbracula\/#F\">8<\/a>] Masakatsu Gunji, theorist and anthropologist, has written extensively on the iconography of the umbrella in Japanese culture. He underlines how the space under the umbrella in the Shinto complex can become a microcosm reflecting the macrocosm and how the silk parasol is also important for Buddhist iconography. For a summary of the iconography of the umbrella, see INAX booklet Kasa&nbsp;(Inax\u30ae\u30e3\u30e9\u30ea\u30fc\u540d\u53e4\u5c4b\u4f01\u753b\u59d4\u54e1\u4f1a&nbsp;1995).&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">[<a href=\"https:\/\/web.archive.org\/web\/20260315054320\/https:\/\/tarde.info\/umbrellas-and-other-umbracula\/#G\">9<\/a>] Tsukamoto, Yoshiharu; Kajima, Momoyo (2006): Atorie wan furomu posuto baburu shiti. Bow-wow from post bubble city. T\u014dky\u014d: INAX Shuppan, p. 85.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">[<a href=\"https:\/\/web.archive.org\/web\/20260315054320\/https:\/\/tarde.info\/umbrellas-and-other-umbracula\/#H\">10<\/a>] Kaijima, Momoyo; Kuroda, Junz\u014d; Tsukamoto, Yoshiharu (2021): Made in Tokyo. 17th edition. Tokyo: Kajima Institute Publishing Co., Ltd, p. 25.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">[<a href=\"https:\/\/web.archive.org\/web\/20260315054320\/https:\/\/tarde.info\/umbrellas-and-other-umbracula\/#H\">11<\/a>] \u30b7\u30f3\u30b0&amp;\u30b9\u30a4\u30f3\u30b0\u2502Sing&nbsp;&amp;&nbsp;Swing<br>[\u8a2d\u8a08]&nbsp;\u30a2\u30c8\u30ea\u30a8\u30fb\u30ef\u30f3&nbsp;&nbsp;&nbsp;&nbsp; [architects]&nbsp;Atelier&nbsp;Bow-Wow<br>[\u4f1a\u5834]&nbsp;\u53f0\u6e7e\u5b9f\u8df5\u5927\u5b66\u30ef\u30fc\u30af\u30b7\u30e7\u30c3\u30d7&nbsp;&nbsp;&nbsp;&nbsp;<br>[location]&nbsp;Taiwan&nbsp;Design&nbsp;Expo&nbsp;2005<br>[\u64ae\u5f71]&nbsp;\u30a2\u30c8\u30ea\u30a8\u30fb\u30ef\u30f3&nbsp;&nbsp;&nbsp;&nbsp; [photo]&nbsp;Atelier&nbsp;Bow-Wow<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.bow-wow.jp\/profile\/2005\/SingSwing\">https:\/\/www.bow-wow.jp\/profile\/2005\/SingSwing<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Page 1<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">[<a href=\"https:\/\/web.archive.org\/web\/20260315054320\/https:\/\/tarde.info\/umbrellas-and-other-umbracula\/#H\">12<\/a>] \u30b8\u30e3\u30f3\u30dc\u30fb\u30aa\u30ea\u30ac\u30df\u30fb\u30a2\u30fc\u30c1\u30fb\u30aa\u30ec\u30f3\u30b8\u2502<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Jumbo Origamic Arch Orange<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">[\u8a2d\u8a08]&nbsp;\u30a2\u30c8\u30ea\u30a8\u30fb\u30ef\u30f3&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;[architects] Atelier Bow-Wow<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">[\u4f1a\u5834]&nbsp;\u795e\u6238\u30a2\u30fc\u30c8\u30f4\u30a3\u30ec\u30c3\u30b8\u30bb\u30f3\u30bf\u30fc&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;[location] Kobe Art Village Center<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">[\u64ae\u5f71]&nbsp;\u30a2\u30c8\u30ea\u30a8\u30fb\u30ef\u30f3&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;[photo] Atelier Bow-Wow<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Page 3<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.bow-wow.jp\/profile\/2005\/JumboOrigamiOra\/index.html\">https:\/\/www.bow-wow.jp\/profile\/2005\/JumboOrigamiOra\/index.html<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">[<a href=\"https:\/\/web.archive.org\/web\/20260315054320\/https:\/\/tarde.info\/umbrellas-and-other-umbracula\/#I\">13<\/a>] Kaijima, Momoyo; Kuroda, Junz\u014d; Tsukamoto, Yoshiharu (2021): Made in Tokyo. 17th edition. Tokyo: Kajima Institute Publishing Co., Ltd, p. 25.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">[<a href=\"https:\/\/web.archive.org\/web\/20260315054320\/https:\/\/tarde.info\/umbrellas-and-other-umbracula\/#J\">14<\/a>] Chun Lo, Lee (2018): Time, the Image of Absolute&nbsp;<em>Logos<\/em>: A Comparative Analysis of the Ideas of Augustine and Husserl.&nbsp;<em>Comparative and Continental Philosophy<\/em>,&nbsp;<em>10<\/em>(1), 50\u201361.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Margherita Tess\u00a0and\u00a0Santiago Orrego\u00a0prepared this issue.\u00a0Zeynep S. Akinci\u00a0curated it, and Santiago edited and designed it. We close our trilogy on urban shadows by presenting a collaborative number on umbrellas, parasols, canopies, and other personal devices producing minimal shade. The issue has the Japanese city of Fukuoka as its primary site for exploration and Medell\u00edn, Colombia, as [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":379,"comment_status":"closed","ping_status":"open","sticky":false,"template":"tarde-post","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[8],"tags":[],"class_list":["post-376","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-past_issues"],"jetpack_featured_media_url":"https:\/\/tarde.info\/wp-content\/uploads\/2026\/06\/issue9Main.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/tarde.info\/es\/wp-json\/wp\/v2\/posts\/376","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tarde.info\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tarde.info\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tarde.info\/es\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tarde.info\/es\/wp-json\/wp\/v2\/comments?post=376"}],"version-history":[{"count":33,"href":"https:\/\/tarde.info\/es\/wp-json\/wp\/v2\/posts\/376\/revisions"}],"predecessor-version":[{"id":869,"href":"https:\/\/tarde.info\/es\/wp-json\/wp\/v2\/posts\/376\/revisions\/869"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tarde.info\/es\/wp-json\/wp\/v2\/media\/379"}],"wp:attachment":[{"href":"https:\/\/tarde.info\/es\/wp-json\/wp\/v2\/media?parent=376"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tarde.info\/es\/wp-json\/wp\/v2\/categories?post=376"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tarde.info\/es\/wp-json\/wp\/v2\/tags?post=376"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}